Rock And Roll Hall Of Fame guitarist Elvin Bishop and Grammy-winning harmonica master Charlie Musselwhite are fellow blues travelers and living blues giants. The two history-making musicians—both Blues Hall Of Famers—have over 100 years of professional musicianship between them. They are among the most famous bluesmen in the world. Although they’ve known each other since the early 1960s, this is the first time that they ever teamed up to make an album together. 100 Years Of Blues, the new release on Alligator Records, is blues at its deepest, warmest and most engaging.
The idea for the album was sparked in 2017 when the two icons laid down the original version of the song 100 Years Of Blues for Bishop’s Big Fun Trio album. They found that, with their soul-deep understanding of the blues tradition, wry senses of humor and similar outlooks on life, they had a special musical chemistry. In 2019, Bishop and Musselwhite joined forces and played a series of stripped-down shows—along with their mutual friend, master pianist/guitarist Bob Welsh—swapping songs and telling stories. The audiences went wild, and Elvin and Charlie had so much fun they knew they had to capture the magic in the studio. According to Musselwhite, “This is us sitting down to play the music that we love and resonating together effortlessly because we’re ‘coming from the same place’...on many levels.”
100 Years Of Bluesis front-porch, down-home music with Bishop and Musselwhite trading licks and vocals on 12 rootsy, spirited, humorous songs, mixing nine originals with three reimagined classics. “It all fell together so quickly and easily,” says Bishop. “We each brought about half the songs and recorded them all in one or two takes.” As for his cohorts, Bishop says, “Charlie is the real deal. He didn’t learn his licks off of records; he lived them. He’s always himself. And Bob Welsh is so versatile on guitar and piano. When you play with people who are real good, it ups your game too. I just did the best job I could.” Of Bishop, Musselwhite says, “Elvin is always a joy to play music with. We see things pretty much the same. Musically it’s like fallin’ off a log. It’s so easy and it just makes sense.”
The album was recorded at Kid Andersen’s Greaseland Studios and Bishop’s Hog Heaven Studios in northern California. It was produced by Andersen and co-produced by Bishop, Musselwhite and Welsh. The laid-back, spontaneous nature of 100 Years Of Blues highlights the heartfelt passion of each performance. The richly detailed, autobiographical title track (freshly recorded for this album) tells Elvin’s and Charlie’s tales with sly good humor, recalling specific times and locations in their amazingly colorful lives. The potent What The Hell? finds Bishop taking on current events, winking an eye while speaking truth to power. Throughout the album, the interplay of guitar, vocals, harmonica and piano is virtually telepathic.
Both Bishop and Musselwhite got their start in the early 1960s on Chicago’s blues-rich South Side. Bishop, from Oklahoma, befriended and was taught by guitarist Little Smokey Smothers. Musselwhite, from Memphis, was mentored by his pals Delta bluesman Big Joe Williams and harmonica master Big Walter Horton. Although they were young, white newcomers, Bishop and Musselwhite were accepted by the Black blues fans and by the established musicians because they were, like the bluesmen themselves, “from down home”, and because they played the blues with real feeling. As Musselwhite explains, “It was great the way Elvin and I were not only welcomed but also encouraged by the blues giants of the day. When I first got to Chicago I was content just to hang out and socialize and listen to the great blues, but when Muddy Waters found out I played harmonica, he insisted that I sit in. That changed everything,because other musicians heard me and started offering me gigs. Boy, did that get me focused. I might not’ve ever had a career in music if men like Muddy hadn’t been so welcoming and encouraging.” Young Elvin was also welcomed onto South Side bandstands, gigging with Hound Dog Taylor, Junior Wells and J.T. Brown.
Both men went on to win fame by introducing blues music to the rock and roll audience—Bishop with The Paul Butterfield Blues Band and his own genre-bending Elvin Bishop Group, and Musselwhite with his wide-ranging and influential recordings as leader of his own band. Both performed with and made friends with countless blues giants. They immersed themselves in the blues tradition before blazing their own trails, beginning with their initial recordings. As Bishop and Musselwhite began adventurously expanding the boundaries of the genre, the new audience eagerly went along for the ride. Although they had only occasionally crossed paths in Chicago, by the late 1960s—after Musselwhite and then Bishop relocated to California—they began regularly running into each other and became occasional fishing buddies. They recorded together as guests with John Lee Hooker and other friends. In the 1980s, they teamed up for a tour of Hawaii. In 2002, they headlined a national tour of performing arts centers, further cementing their friendship.
Since then, Bishop and Musselwhite have continued touring with their own bands and creating critically acclaimed, award-winning music. Their stories—rich as they already are—are still being written, and this album is a new chapter. Their subtle, soulful musicianship and relaxed, conversational vocals fuel every song. Infused with their deep understanding of the blues tradition and the good-time spirit these two old pals stir up, 100 Years Of Blues is one of the finest, most memorable recordings of either artist’s career.
ELVIN BISHOP Elvin Bishop is a natural storyteller, an endlessly creative guitarist, a slyly good-humored songwriter and an instantly crowd-pleasing performer. Born in Glendale, CA on October 21, 1942, Bishop grew up in Oklahoma. He first got hooked on the blues listening to late night R&B radio as a teenager, and began collecting and absorbing the music. Once Bishop realized that many of his favorite records were recorded in Chicago, he used his National Merit Scholarship as a way to get closer to his musical heroes. He enrolled in the University of Chicago, whose campus was located near dozens of the South Side clubs. Soon he was spending more time in the clubs than the classroom.
After Elvin crossed paths with harmonica player and fellow University of Chicago student Paul Butterfield, the two began sitting in together at the South Side clubs, often hanging out with heavyweights including Otis Rush. They first formed The Paul Butterfield Blues Band in 1963, cutting their debut LP in 1965 with Michael Bloomfield as second lead guitarist. The groundbreaking self-titled debut album introduced real electric Chicago blues to the rock audience for the first time. With the release of East/West in 1966, their straight Chicago sounds drifted further into progressive and experimental rock and—with two world-class lead guitarists on board—they helped pave the way for groups featuring multiple virtuoso guitarists like The Allman Brothers Band and Derek and the Dominos. The band, including Bishop, was inducted into the Rock & Roll Hall Of Fame in 2015.
Towards the end of the 1960s, after recording three albums with The Paul Butterfield Blues Band, Elvin decided to move on, heading for the San Francisco area. He became a regular at the famed Fillmore Auditorium jam sessions, and played alongside Jimi Hendrix, Eric Clapton, B.B. King, The Allman Brothers and many others across the country. He recorded first for Fillmore Records, then Epic and then for Capricorn, where his career took off. He guested on albums from blues stars including B.B. King, Son Seals, James Cotton and John Lee Hooker. Melding blues, country and rock, Bishop further developed his signature sound, a sound he used to create two chart-topping records: Travelin’ Shoes and Fooled Around And Fell In Love (the latter song reached number three on the pop charts and years later was prominently featured in the blockbuster film, Guardians Of The Galaxy).
After a seven-year recording hiatus, Elvin returned to his blues roots in 1988, signing with Alligator and releasing five albums between 1988 and 2000. After a few releases on other labels, Bishop returned to Alligator with 2014’s Can’t Even Do Wrong Right and once again turned the music-loving world on its head. Reviews poured in from NPR’s Fresh Air, Rolling Stone, Living Blues, No Depression and many others. He appeared on television on TBS’s CONAN and performed numerous times on A Prairie Home Companion. He’s most recently performed and recorded two Alligator Records albums with the Grammy-nominated Big Fun Trio, a group featuring Bishop, Welsh and Willy Jordan.
CHARLIE MUSSELWHITE Harmonica master Charlie Musselwhite’s personal history is the kind of tale a novelist would sell his soul for. He is a larger-than-life musical legend, writing and singing what he calls, “music from the heart.” His life reads like a classic blues song: born in Mississippi, raised in Memphis and schooled on the South Side of Chicago. A groundbreaking recording artist since the 1960s, Musselwhite continues to create trailblazing music while remaining firmly rooted in the blues. His worldly-wise vocals, rich, melodic harmonica playing (and his deep country blues guitar work) flawlessly accompany his often autobiographical and always memorable original songs. Living Blues says, “Musselwhite’s rock-solid vocals creep up and overwhelm you before you know it. He plays magnificent harp with superb dexterity and phrasing. The results are amazing.”
Born into a blue collar family in Kosciusko, Mississippi on January 31, 1944 and raised by a single mother, Musselwhite grew up surrounded by blues, hillbilly and gospel music on the radio and around performing musicians in his neighborhood. His family moved to Memphis, where, as a teenager, he worked as a ditch digger, concrete layer and moonshine runner. Fascinated by the blues, Musselwhite began playing guitar and harmonica. As a teen, Musselwhite hobnobbed with many of the local musicians, including Elvis Presley, Johnny Cash and Johnny Burnette, but the celebrities young Charlie sought out were Memphis’ veteran bluesmen like Furry Lewis, Will Shade and Gus Cannon.
Following the path of so many, Musselwhite moved to Chicago looking for better paying work. While driving an exterminator truck as a day job, Charlie lived on the South Side and hung out in blues clubs at night, developing close friendships with blues giants Big Walter Horton and Big Joe Williams, who became his key mentors. He roomed with Williams, and was also close to Little Walter, Sonny Boy Williamson and Howlin’ Wolf, always soaking up licks and lyrics, and learning how to be a bluesman. Before long, he was sitting in at clubs with Muddy Waters, Magic Sam, Earl Hooker, Jimmy Reed, Luther Allison and others, building an impressive local word-of-mouth reputation.
After the release of his first full-length LP on Vanguard—Stand Back! Here Comes Charley Musselwhite’s South Side Band—he was embraced by the growing youth counter-culture. His subsequent releases found a place with the newly emerging progressive rock FM radio stations, especially on the West Coast. His iconic status established, he relocated to San Francisco, often playing the famed Fillmore Auditorium. Over the years, Charlie has released nearly 40 albums on a variety of labels. Musically, his albums range from straight blues to mixing elements of jazz, gospel, Tex-Mex, Cuban and other world music. Four of those albums—1990’sAce Of Harps, 1991’sSignature, 1994’sIn My Time, and 2010’sThe Well—were recorded for Alligator Records and remain among his best-selling titles.
In addition to his own recordings, Musselwhite has guested on numerous recordings, as a featured player with Tom Waits, Eddie Vedder, Ben Harper, John Lee Hooker, Bonnie Raitt, The Blind Boys of Alabama, INXS, Cyndi Lauper, and many others. He was inducted into the Blues Foundation’s Blues Hall Of Fame in 2010, has been nominated for eleven Grammy Awards (winning one) and has won many Living Blues Awards and Blues Music Awards.
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