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TORONZO CANNON & LIL' ED & THE BLUES IMPERIALS MAKE MOJO'S TOP TEN BLUES ALBUMS OF 2016

Cannon's The Chicago Way Is #1 Blues Album Of 2016

The Big Sound Of Lil' Ed & The Blues Imperials Is #7

New releases from world-renowned Chicago blues stars Toronzo Cannon and Lil' Ed & The Blues Imperials both made MOJO magazine's influential list of Top Ten Blues Albums Of 2016. Cannon's The Chicago Way landed at the #1 spot. Williams, who recently guested on TBS-TV's CONAN, hit #7 with The Big Sound Of Lil' Ed & The Blues Imperials.

ABOUT TORONZO CANNON:

MOJO says, "Toronzo Cannon rises to the front rank of Chicago bluesmen. Old School he may be in some ways, but there is nothing conventional about his songwriting.  Cannon and co-producer Bruce Iglauer have created wide-screen modern arrangements for these wry, thoughtful songs, molding an ensemble sound that’s both tempestuous and scrupulously controlled."

Cannon’s songs – from searing blues anthems to swinging shuffles to soulful ballads to roof-raising rockers – tell timeless stories of common experiences in uncommon ways. The Chicago Way earned the 2016 Living Blues Producer Of The Year Award for Cannon and Iglauer. The Chicago Way features all self-penned songs, inspired by Cannon's deep, homegrown Chicago roots and powered by his blistering guitar playing and soul-baring vocals.

Through the sheer force of his music, his songs and his live charisma, Cannon is among the city's most popular and recognizable blues artists. He’s battled his way to the top of the ultra-competitive Windy City blues scene, has already played multiple tours of Europe and continues to drive his bus by day and deliver roof-raising performances around the world by weekend night.

ABOUT LIL' ED & THE BLUES IMPERIALS:

Blues & Rhythm writes, "What’s not to like about the raucous sound of Chicago slide guitar maestro Lil' Ed Williams and his long serving trio? Great music that often seems spontaneous will have you bopping like crazy. Superlative guitar and piercing slow-burn slide will surely gain your immediate attention. Enthusiastic and passionate."

Currently celebrating 27 history-making years together, Lil' Ed & The Blues Imperials ply their musical talents with skills that have been honed to a razor's edge. They have won many awards over the years, including the Living Blues Critics' and Readers' Awards for Best Live Performer and the coveted Blues Music Award for Band Of The Year. The Chicago Sun-Times says, “Lil’ Ed & The Blues Imperials are the hottest purveyors of bottleneck boogie to come out of Chicago since Hound Dog Taylor.”

The Big Sound Of Lil' Ed & The Blues Imperials mixes smoking slide guitar boogies and raw-boned shuffles with the deepest slow-burners. Lil' Ed Williams and his Blues Imperials -- bassist (and Ed's half-brother) James "Pookie" Young, guitarist Mike Garrett and drummer Kelly Littleton -- deliver gloriously riotous, rollicking and intensely emotional blues. The Chicago Tribune calls Lil' Ed "a guitarist extraordinaire" who plays "electrifying, raucous, pure Chicago blues."

Blues legend Lil' Ed Williams -- leader of the world-famous Lil' Ed & The Blues Imperials -- will appear on TBS Network's CONAN on Tuesday, November 15. The award-winning guitarist will sit in with Jimmy Vivino and the Basic Cable Band for the duration of the show.

Lil' Ed first met Conan O'Brien back in 2006 when he starred in a hilarious short film (which aired on NBC's Late Night With Conan O'Brien) teaching Conan how to play the blues. Together, the two made comedy gold, prompting the producers to bring Lil' Ed, along with The Blues Imperials, to perform a full song on the show later that year.

The Big Sound Of Lil' Ed & The Blues Imperials, the band's new CD, mixes smoking slide guitar boogies and raw-boned shuffles with the deepest slow-burners. Lil' Ed Williams and his Blues Imperials -- bassist (and Ed's half-brother) James "Pookie" Young, guitarist Mike Garrett and drummer Kelly Littleton -- deliver gloriously riotous, rollicking and intensely emotional blues. The Chicago Tribune calls Lil' Ed "a guitarist extraordinaire" who plays "electrifying, raucous, pure Chicago blues."

Currently celebrating 27 history-making years together, Lil' Ed & The Blues Imperials ply their musical talents with skills that have been honed to a razor's edge. They have won many awards over the years, including the Living Blues Critics' and Readers' Awards for Best Live Performer and the coveted Blues Music Award for Band Of The Year. The Chicago Sun-Times says, “Lil’ Ed & The Blues Imperials are the hottest purveyors of bottleneck boogie to come out of Chicago since Hound Dog Taylor.”

Apple Music has named Alligator Records founder and president Bruce Iglauer an official "curator". To that end, Iglauer has created five playlists, free to Apple Music subscribers. The playlists include many of Iglauer's favorite blues songs, both by Alligator artists and others. The playlists are Alligator Essential Tracks, Blues Harmonica Greats, Chicago Blues Yesterday And Today, Rockin' Blues Guitar Heroes and The Next Generation Of Blues Giants.

Alligator Records is currently celebrating its 45th anniversary. The two-CD Alligator Records 45th Anniversary Collection, released on June 10, is already a favorite among blues fans, critics and disc jockies around the world. Featuring classics from Hound Dog Taylor, Koko Taylor, Albert Collins and Mavis Staples alongside times tracks from newcomers Shemekia Copeland, Selwyn Birchwood, Moreland & Arbuckle and Jarekus Singleton. No Depression says, "If Alligator didn’t exist, somebody would have to invent it. Over the years, it’s become of those things you take for granted, but one no blues fan could do without. You can forget about shuffling though the selections looking for good ‘uns. Anywhere you jump in you hit paydirt."

Blues Man By Night, Bus Driver By Day, the four-minute WGN-TV feature on Chicago's Toronzo Cannon which aired in March 2016, has been nominated for a Chicago/Midwest Emmy Award, given out by The National Academy Of Television Arts And Sciences. The piece, produced by Pam Grimes with Mike D'Angelo and anchored by Steve Sanders, helped introduce Cannon's music and winning personality to a city always hungry for well-crafted, original blues. Awards will be announced on December 3, 2016.

Cannon’s songs – from searing blues anthems to swinging shuffles to soulful ballads to roof-raising rockers – tell timeless stories of common experiences in uncommon ways. His Alligator Records debut, The Chicago Way (produced by Cannon along with label president Bruce Iglauer), won the 2016 Living Blues Award for Producer Of The Year. It features all self-penned songs, inspired by Cannon's deep, homegrown Chicago roots and powered by his blistering guitar playing and soul-baring vocals.

Through the sheer force of his music, his songs, his live charisma, and most impressively, his passion for what he is doing, Cannon is among the city's most popular and recognizable blues artists. He’s battled his way to the top of the ultra-competitive Windy City blues scene, has already played multiple tours of Europe and continues to drive his bus by day and deliver roof-raising performances around the world by weekend night.

Two songs from the vast Alligator Records catalog -- William Clarke's Please Let Me Be Your Santa Claus and Koko Taylor's Merry Merry Christmas -- will be heard in the upcoming major motion picture, Bad Santa 2. The film, directed by Mark Waters and starring Billy Bob Thornton, Kathy Bates and Tony Cox, will be released on November 23, 2016.

The Clarke song will be the version fans know and love, as first heard on The Alligator Records Christmas Collection. Merry Merry Christmas, written by Taylor, and also origianlaly heard on The Alligator Records Christmas Collection, has been newly recorded for the film by Louise Goffin. Both of these tracks (and others) will appear on the film's soundtrack album.

Ted Harvey, drummer of the legendary Hound Dog Taylor & The HouseRockers, died of natural causes on Thursday, October 6, 2016, in his hometown of Chicago, Illinois. Harvey was born December 21, 1931. He was 84 years old.

In addition to appearing on all of Taylor's albums and touring the world with him, Harvey played drums with blues legends Jimmy Dawkins, Big Walter Horton, Barrelhouse Chuck, J. B. Hutto, Jimmy Rogers, Snooky Pryor and many others.

Rolling Stone described The HouseRockers' sound as "live wire exuberance and hard-as-nails force...natural for partying, drinking and talking loud."

Following is a remembrance from Alligator Records president Bruce Iglauer, who launched the label when he first recorded Hound Dog Taylor & The HouseRockers in 1971.

"Ted Harvey, the terrific drummer who was one third of the happiest blues band in Chicago-- Hound Dog Taylor & The HouseRockers—died on October 6 at the age of 85. Besides being one of the best Chicago blues shuffle drummers ever, Ted was a jovial, friendly man with a nice word and a smile for everyone. He never looked for credit for himself; he just wanted to make the band sound good. And he sure did…just listen to Give Me Back My Wig, with Ted picking up the tempo as the song goes along, bringing an extra dose of energy to each verse. He was never fancy, he just drove every song by putting every beat perfectly in the pocket. That was the genius of Ted Harvey."

Harvey is survived by his children, Regina Harding, Cheryl Sims, Milton Harvey, Theodore Harvey, Jr., Leanise Harvey, Anthony Harvey; 12 grandchildren; and 16 great-grandchildren.

Services for Harvey are on Friday, October 14 at Gatling's Chapel, 10133 S. Halsted, Chicago, IL, with the wake from 12:30p.m. to 1:00 p.m. and the funeral immediately following.

ALLIGATOR ARTISTS WIN TOP BLUES BLAST MUSIC AWARDS

Three Alligator artists received 2016 Blues Blast awards at a ceremony held by the online publication on Friday, September 23 at The Fluid Events Center in Champaign, Illinois.

Lil' Ed & The Blues Imperials, whose new album The Big Sound Of Lil' Ed & The Blues Imperialswas also released on Friday, September 23, won the coveted Best Blues Band award. Shemekia Copeland, whose latest CD, Outskirts Of Love, received a Grammy nomination, won the award for Female Blues Artists and Curtis Salgado won the Soul Blues Album award for his 2016 release, The Beeatiful Lowdown.

In addition, the online publication presented Alligator president Bruce Iglauer with a Lifetime Achievement Award.

American musical legend Stanley “Buckwheat” Dural, Jr.—leader of the band Buckwheat Zydeco—died on September 24, 2016 of lung cancer at Our Lady of Lourdes Regional Medical Center in Lafayette, Louisiana. The Grammy and Emmy winning artist was the preeminent ambassador of Louisiana zydeco music. NPR’s Weekend Edition called him "the go-to guy for zydeco music...a master of accordion and organ."

Buckwheat played with everyone from Eric Clapton and U2 to Robert Plant and The Boston Pops. The band performed at the closing ceremonies of the 1996 Summer Olympics and performed for President Clinton twice, celebrating both of his inaugurations. The band appeared on The Late Show With David Letterman, CNN, The Today Show, MTV, NBC News, CBS Morning News and many others.  They were also invited to play the final episode of The Late Show With Jimmy Fallon.

Stanley “Buckwheat” Dural, Jr. was born in Lafayette, LA on November 14, 1947. He acquired his nickname because, with his braided hair, he looked like Buckwheat from The Little Rascals. His father was an accomplished, non-professional traditional Creole accordion player, but young Buckwheat preferred listening to and playing R&B. He became proficient at the organ, and by the late 1950s was backing Joe Tex, Clarence “Gatemouth” Brown and many others. In 1971, he formed Buckwheat and The Hitchhikers, a 15-piece funk and soul band. They were a local sensation and found success with the single, “It’s Hard To Get,” recorded for a local Louisiana-based label. Never a traditional zydeco fan when growing up, Buckwheat nonetheless accepted an invitation in 1976 to join Clifton Chenier’s Red Hot Louisiana Band as organist. He quickly discovered the joy and power of zydeco music, and marveled at the effect the music had on the audience. “Everywhere, people young and old just loved zydeco music,” Buckwheat said. “I had so much fun playing that first night with Clifton. We played for four hours and I wasn’t ready to quit.” 

Buckwheat’s relationship with the legendary Chenier led him to take up the accordion in 1978. After woodshedding for a year, he felt ready to start his own band under the name Buckwheat Zydeco, and began his recording career with the small Blues Unlimited label. By the mid-1980s there were more offers to perform than he could possibly accept. Recordings for Black Top and Rounder followed before Buckwheat befriended New York-based journalist Ted Fox, who championed Buckwheat to Chris Blackwell at Island Records in 1986. Buckwheat Zydeco signed a five-record deal and Fox became and remained his manager and frequent producer. The success of these records kept Buckwheat Zydeco on the road and in constant demand.

In 1988, Eric Clapton invited the band to open his North American tour as well as his 12-night stand at London’s Royal Albert Hall. As even more doors opened, Buckwheat found himself sharing stages and/or recording with Keith Richards, Robert Plant, Willie Nelson, Mavis Staples, David Hidalgo, Dwight Yoakam, Paul Simon, Ry Cooder and many others, including indie music stalwarts Yo La Tengo on the soundtrack to the Bob Dylan bio-pic, I’m Not There. His music has been featured in films ranging from The Waterboy, The Big Easy, Fletch Lives and Hard Target. BET’s Comic View used his live version of What You Gonna Do? as theme music for the program’s 10th anniversary “Pardi Gras” season. He co-wrote and performed the theme song for the PBS television series Pierre Franey’s Cooking In America. Buckwheat won an Emmy for his music in the CBS TV movie, Pistol Pete: The Life And Times Of Pete Maravich. Buckwheat Zydeco played every major music festival in the world, including the New Orleans Jazz & Heritage Festival (numerous times), Newport Folk Festival, Summerfest, San Diego Street Scene, Bumbershoot, Montreux Jazz Festival and countless others.

During the 1990s and 2000s Buckwheat recorded for his own Tomorrow Recordings label and maintained an extensive touring schedule. Along with his remarkably talented band, he brought his music to fans all over the world. In 2009 he released the Grammy Award winning Lay Your Burden Down on Alligator Records.  Since then, Buckwheat Zydeco continued to tour and share their music with fans around the world.

Stanley “Buckwheat” Dural, Jr. is survived by his wife Bernite Dural and their daughter Tomorrow Lynn Dural; sons Sir Reginald M. Dural (who played rubboard and keyboards in his band) and Stanley Paul Dural III, daughters April Germain Dural, and Stacie Durham.

Funeral services for Stanley “Buckwheat” Dural, Jr., leader of the band Buckwheat Zydeco, are set for 11 a.m. Monday, October 3rd at Immaculate Heart of Mary Church, 818 12th St., in Lafayette. Visitation will be held from 4 p.m. to 9 p.m. Sunday and 8 a.m. until 11 a.m. Monday at the church.

Alligator Records founder and president Bruce Iglauer will receive the Blues Blast Magazine Lifetime Achievement Award at the online publication's annual awards presentation. The ceremony will take place on September 23, 2016 in Champaign, Illinois, at the Fluid Events Center.

In addition to Iglauer's recognition, Alligator artists Toronzo Cannon, Shemekia Copeland, Lil' Ed & The Blues Imperials, Tommy Castro and Curtis Salgado are all nominated for 2016 Blues Blast awards.

According to blues scholar Don Wilcock, who will present the award to the label chief, "Bruce Iglauer has expanded the definition of blues. A half a century into this game, Iglauer continues his uncanny ability of presenting vital new artists."

The history of Alligator Records, founded by Iglauer in 1971 for the express purpose of releasing an album by Hound Dog Taylor & The HouseRockers, reads like a history of contemporary blues and roots music, with releases from musical giants like Albert Collins, Koko Taylor, Luther Allison and Mavis Staples, and stars on the rise like Shemekia Copeland, Selwyn Birchwood, Jarekus Singleton and Toronzo Cannon.

Today, Alligator Records is the largest independent blues label in the world, and has been repeatedly honored for its achievements. Three Alligator recordings have won Grammy Awards, and 41 titles have been nominated. The label and its artists have received well over 100 Blues Music Awards and more than 70 Living Blues Awards. But even with all of the accolades, Alligator Records never rests on its laurels. According to Iglauer, "Alligator should be the label that's exposing the next generation of blues artists and bringing their music to the next generation of blues fans. I want the future of the blues and the future of Alligator Records to be one and the same. I want to keep bringing blues and roots music to new fans and getting them as excited about the music as I am."

From the early days of recording only Chicago talent, to attracting national and international musicians, to the label's commitment to nurturing the next generation of blues artists, Alligator continues to break new ground. Now, as is clearly proven on the recently released 2CD set, Alligator Records 45^th Anniversary Collection, the label is still dedicated to recording and promoting great talent, confirming that the passion, energy and soul-healing power of Alligator’s music is strong, genuine, and capable of rocking the house with no end in sight.

 

Shemekia Copeland Named Blues Artist Of The Year (Female) 

Also Wins Album Of The Year For Outskirts Of Love

Chicago Bluesman Toronzo Cannon And Alligator President Bruce Iglauer Win Producer Of The Year For The Chicago Way

Living Blues magazine has announced the winners for the 2016 Living Blues Readers' and Critics' Awards. Shemekia Copeland was named Blues Artist Of The Year (Female) in both the Readers' and Critics' Polls. Her 2015 CD, Outskirts Of Love, won the Critics' Poll for Album Of The Year. Copeland has received seven previous Living Blues Awards. Chicago bluesman Toronzo Cannon, along with Alligator Records president Bruce Iglauer, won the prestigious Critics' Poll for Producer Of The Year--New Recording for Cannon's label debut, The Chicago Way.

Copeland'sOutskirts Of Love received a Grammy Award nomination in the Best Blues Album category. The prestigious United Kingdom publication, The Blues magazine, named the CD the 2015 Album Of The Year. In the magazine's review of the record, writer Rev. Keith Gordon says, "Shemekia Copeland is one of the best singers performing today. A rich blend of blues, soul and roots-rock that will astound the casual listener while rewarding Copeland's longtime fans. Pure joy." Editor Ed Mitchell calls it "a mature masterpiece of modern blues."

The Chicago Way is comprised of all self-penned songs, inspired by Cannon's deep, homegrown Chicago roots and powered by his blistering guitar playing and soul-baring vocals. Cannon’s songs – from searing blues anthems to swinging shuffles to soulful ballads to roof-raising rockers – tell timeless stories of common experiences in uncommon ways. Living Blues writer David Whiteis says, "He bursts with youthful fire in his guitar work and his tough and deep vocals. This is a first-rate, major label debut from an artist whose long-endured “well-kept secret” status should now be a thing of the past."

Cannon has played the Chicago Blues Festival on ten separate occasions, either as a sideman, a special guest or, most recently in June as a main stage headliner. He's been featured on Chicago's WGN-TV and WTTW-TV. When he’s home, Cannon drives a Chicago Transit Authority bus by day and performs by night. It isn't easy, but, like all of the Chicago greats who have come before him, blues is his calling. "I am proud to be part of a movement,” he says, anxious to hit the road and bring his music to new fans in new places. “I’m proud to be standing on the shoulders of every great Chicago blues musician who came before me."

”Electrifying, raucous, pure Chicago blues….Lil’ Ed is a guitarist extraordinaire….slashing slide and flamboyant stage persona." –Chicago Tribune

"Rough and ready blues played with unmitigated intensity…Swirling, snarling, riveting slide….The Blues Imperials pound out riffs and rhythms like they’re overdosing on boogie juice.  Scorching and soulful, joyous and stomping." –Living Blues

 

Alligator Records has set a September 23 release date for The Big Sound Of Lil' Ed & The Blues Imperials, the new CD from one of Chicago's most iconic blues bands. Mixing smoking slide guitar boogies and raw-boned shuffles with the deepest slow-burners, Lil' Ed Williams and his Blues Imperials -- bassist (and Ed's half-brother) James "Pookie" Young, guitarist Mike Garrett and drummer Kelly Littleton -- deliver gloriously riotous, rollicking and intensely emotional blues.

Currently celebrating 27 history-making years together, Lil' Ed & The Blues Imperials ply their musical talents with skills that have been honed to a razor's edge. In 2013, the band was awarded the Living Blues Critics' and Readers' Awards for Best Live Performer. The band won this same distinction in the 2012 and 2011 Living Blues Critics' Poll. The group won the coveted 2009 Blues Music Award for Band Of The Year, the same honor they received in 2007. The Chicago Sun-Times says, “Lil’ Ed & The Blues Imperials are the hottest purveyors of bottleneck boogie to come out of Chicago since Hound Dog Taylor.”

The Big Sound Of Lil’ Ed & The Blues Imperials is musically electrifying, emotionally intense and downright fun. It features Lil’ Ed Williams' incendiary guitar playing and soulful, passionate singing, with the ragged-but-right Blues Imperials cooking like mad alongside him. Produced by Williams and Alligator president Bruce Iglauer, it is a tour-de-force of authentic, deeply rooted Chicago blues. Williams wrote or co-wrote all but two of album’s 14 songs (those two being written by Lil' Ed's legendary uncle, Chicago slide guitar king and master songwriter J.B. Hutto). The Chicago Reader says the band’s music “is a soundtrack for dancing and celebration infused with a sense of hard-won survival. Williams attacks his lyrics like he attacks his guitar: with bare-bones intensity that makes each word sound like a matter of life or death.”

Born in Chicago on April 8, 1955, in the heart of Chicago’s tough West Side, Ed grew up surrounded by music. He was playing guitar, then drums and bass, by the time he was 12. Growing up, Ed and his half-brother Pookie received lessons and support from their famous uncle, who taught the boys how to feel, and not just play, the blues. “J.B. taught me everything I know,” says Ed. “I wouldn’t be where I am today without him.”

Adding to the legend is Ed's storybook rise, taking him from working at Chicago's Red Carpet Car Wash to entertaining thousands of fans all over the world. A two-song recording session for Alligator in 1985 quickly turned into an on-the-spot full album contract (and 28 more songs) when the band floored Alligator president Bruce Iglauer with their raw and raucous sound. Twelve of those songs became the band’s debut album, Roughhousin’, released in September of 1986.

Since then, Lil' Ed & The Blues Imperials have toured virtually non-stop, have been celebrated by press and radio, and have earned new fans -- known internationally as "Ed Heads" -- with every performance. They have even made multiple appearances on Late Night With Conan O'Brien. According to The Chicago Tribune, "Williams represents one of the few remaining authentic links to pure Chicago blues."

Live, Lil' Ed & The Blues Imperials simply can't be beat as Ed breaks out the deepest back-bends, the highest toe-walks, and the most authentic electric slide-guitar blues being played today. Garrett's risk-taking rhythm guitar work and Littleton's unpredictable, old school drumming perfectly complement Lil' Ed's and Pookie's rambunctious playing. Their energetic and spontaneous live show remains legendary among blues fans worldwide.

They have played the Chicago Blues Festival multiple times, and have appeared at The New Orleans Jazz & Heritage Festival, Portland’s Waterfront Blues Festival, The Tampa Bay Blues Festival, The San Diego Blues Festival, The Pennsylvania Blues Festival and dozens of other festivals around the country. Satisfying worldwide demand, they have performed at festivals in Canada, Great Britain, France, Spain, Sweden, Denmark, Poland, Japan, Australia, India, Turkey and Panama.

With The Big Sound Of Lil’ Ed & The Blues Imperials (the group's ninth Alligator release) the band continues to bring their blistering Chicago blues to “Ed Heads” new and old. After almost three decades, Lil’ Ed, Pookie, Mike and Kelly have seen sports stars and presidents, musical fads and fashion trends come and go. Meanwhile, their fiery music has more than stood the test of time. “We’re not band members,” says Williams, “we’re family, and families stay together.” Night after night, gig after riotous gig, the musical family called Lil’ Ed & The Blues Imperials bring their big, dynamic sound to fans across the country and around the world.

Chicago bluesman Toronzo Cannon appeared at a private, invite-only Democratic National Committee event hosted by Chicago Mayor Rahm Emanuel and other dignitaries on Wednesday, July 27 at Philadelphia's World Cafe Live. In addition to performing a full set with his band, Cannon sat in with Blues Traveler for a crowd-pleasing Sweet Home Chicago. According to Chicago Magazine, the event, dubbed Celebrate Chicago, “is the buzz, the one everyone wants to go to. It’s the hot party."

Cannon -- a full-time Chicago Transit Authority bus operator -- has become one of Chicago's most recognized and most popular bluesmen through the sheer force of his music, his songs, his live charisma, and most impressively, his passion for what he is doing. He’s battled his way to the top of the ultra-competitive Windy City blues scene, has already played multiple tours of Europe and continues to deliver roof-raising performances around the U.S.A.

His label debut, The Chicago Way, is comprised of all self-penned songs, inspired by his deep, homegrown Chicago roots and powered by his blistering guitar playing and soul-baring vocals. Cannon’s songs – from searing blues anthems to swinging shuffles to soulful ballads to roof-raising rockers – tell timeless stories of common experiences in uncommon ways.

He’s played the Chicago Blues Festival on ten separate occasions, either as a sideman, a special guest or, most recently in June as a main stage headliner. He's been featured on Chicago's WGN-TV and WTTW-TV. When he’s home, Cannon drives a Chicago Transit Authority bus by day and performs by night. Using every vacation day and day off and working four ten-hour shifts a week, Cannon arranges his schedule to gig out of town as much as possible. It isn't easy, but, like all of the Chicago greats who have come before him, blues is his calling. "I am proud to be part of a movement,” he says, anxious to hit the road and bring his music to new fans in new places. “I’m proud to be standing on the shoulders of every great Chicago blues musician who came before me."